Part of what needs to be done is to reconstruct the genealogical descent of why one form of place identity (called ‘history’) is supposed to be taken as more legitimate than another (called ‘heritage’). Regarding rural places, research attempting to develop this sense of a conjunctural non-essential identity has begun to consider the rural as a constellation of ‘social representations’ and ‘interpretative repertoires’ (Halfacree, 1993; Moscovici, 1991; Shields, 1991). In short, any further work on the intersections of meaning and the spatiality of social relations as regards the rural will have to overcome what Philo (1993, p. 433) begins to identify as ‘the assertive modernist impulse…which heroically assumes the duty of assessing from without the realities of ‘other lives’ against transcendental yardsticks of ‘right’/’wrong’ and ‘good’/’bad’ that may have little relevance for the peoples and places concerned.’
Mark Lawrence, “Heartlands or Neglected Geographies? Liminality, Power, and the Hyperreal Rural,” Journal of Rural Studies 13 (1997): 15.
What physical models and/or scientific analogies can we appropriate to better understand Intersectionality?
By this I mean–are there more robust models for conceiving Intersectionality that exceed the parameters of longitude and latitude that so often dominate discourses of Intersectionality? It seems to me that the first step is to throw away a 2-dimensional conception of intersectionality–to instead add that crucial Z-Axis that gives Intersectionality–and life itself–profound depth.
Not all intersections are created equal, and intersections themselves interact and affect each other, each of them with an individual weight that–just as it does on a cosmic scale–carries gravity, and it is this force which is responsible metaphorically for the dynamic and interactive nature of intersecting identities and various other structures of affinity that have become crucial to identity formation in the twenty-first century.
Justin Lutz, “Towards a Cosmic Model of Intersectionality”, 2013